Below are corrections to errors of various kinds - both big and small - that managed to intrude into some of my publications. Please accept my apologies for any inconvenience or confusion they might have caused any reader.
If you find any other errors, please contact me at firstname.lastname@example.org.
p. 278, Table 2: The "Percent of variance" reported for each factor
is for the unrotated rather than rotated factor matrix. Of course,
the variances explained by the Varimax rotated factors are much more equally
distributed, namely, 16.4, 15.4, and 14.8.
The title has been changed to be grammatically correct. The original read "Does Sorokin's data support his theory."
pp. 795-796: This investigation was conducted before the advent of modern methods of analyzing cross-sectional time-series data (e.g., hierarchical linear models). Consequently, the method chosen to control for historical time and individual differences had the inadvertent effect of negating the possibility of identifying linear functions of age. Even so, the curvilinear functions of age still hold, along with any effects of the other substantive independent variables.
An erratum was printed on page 1097 in the same volume of the journal,
but the suggested statistical analyses have been superceded by more recent
developments in the treatment of longitudinal data, rendering these corrections
p. 22, 4th line of text from the bottom: Carlyle's theory explains 9%
(= .302) of the variance, not 15% as stated.
p. 1: The reprints of this article and the first page of the published article incorrectly have it appearing in "3, 97-111 (1983)." The above citation is correct. At the last minute the article was moved from one volume to the next, shifting the year of publication.
p. 91, last word of first full paragraph: "collaborative" should be
p. 64, beginning of last paragraph: "Catherine" should be "Catharine."
p. 172, 1st sentence after Soroking quote: "prevalance" should be "prevalence."
p. 174, last paragraph, 5th line: "discernable" should be "discernible."
p. 211, last paragraph: "Figure A.2" should be "Figure A.3."
p. 219, Simon (1955) reference: Biometrica should be Biometrika.
pp. 248-249: This investigation was conducted before the advent of modern
methods of analyzing cross-sectional time-series data (e.g., hierarchical
linear models). Therefore, the introduction of two sets of controls - date
and the individual-difference dummies - had an unforeseen effect, namely
that the linear age term was overcontrolled. It is not possible under this
design to detect any linear longitudinal changes. However, the curvilinear
effects still hold.
p. 502, paragraph enumerated (2) should begin "Dramatic popularity is positively related ..." (omitting the "finally" and corresponding punctuation).
p. 505, paragraph enumerated (2) should have "Opposition 4e" rather
than "Opposition 43."
p. 154, Table 2: The score on Factor 10 for George Washington should
be -0.4, not -.40.
p. 29, Table 1: For Geologists a = .024 and b = .036,
and the peak age 33.8; for historians the career peak age should be 39.7
and the half life 38.5 (i.e., these have been inadvertently reversed).
p. 837, Table 2: The correlation between Age at Lessons and Lifetime
output for Themes should be -.33 rather than .33, making all of the correlations
in that row and the next negative (as hypothesized). Note that this
was corrected in the reprinting of Simonton (1997g) and in my current pdf
copy, which I can send on request.
p. 143, middle: Catharine Cox, not Catherine Cox. Similarly for bottom of p. 224 and bottom of p. 493.
p. 218, last line: 140 should be 180 (= 100 X 90/50)
p. 219, Table 9.1: Because this table merged results from several different publications that had different publication dates, some of the statements are inaccurate. The most striking example is the assertion that IQ 121 is "about the average for college graduates in the United States." This statistic is no longer valid now that almost one third of the population goes to college, which must necessarily lower the average IQ for graduates.
p. 297, two thirds down: "heroine" should be "heroin"!
p. 298, Table 10.3, line before note: No comma before Hideki.
p. 378, "Person to Person," third sentence: "the Bird" should be just
p. 373, Figure 1: The caption should end "various forms of the phenomenon,
including genius, creativity, and leadership." The last line of caption
had been truncated by the printer.
p. 7, Exhibit 1.1: Clifford Thomas Morgan (1915-1976) should be Conwy Lloyd Morgan (1852-1936).
p. 12: Dorothy Cantor was APA President in 1996, not 1966.
p. 87: p (t) = a2me - at should read p (t) = a2mte - at (i.e., there should be a t between the m and the e).
p. 195: Lyell was not a respondent. He was blind when he received the questionnaire and "died four months after Galton wrote his preface, understandably without having completed the questionnaire" (Hilts, 1975, p. 18).
p. 267: "James published a work devoted to the teaching of psychology
(James, 1900)." should be written as "James published a work devoted to
teaching psychology to teachers (James, 1900)."
p. 62, column 2: The scores used for "Age at Nobel Prize" were incorrect because the ages at time of doing prize-winning work were inadvertently inserted for the first three award categories. However, because the rank ordering of the four disciplines remains completely unchanged - first physics, then chemistry, followed by physiology or medicine, and lastly economics - the substantive conclusions still stand. Nobels for achievements in disciplines nearer the top of the hierarchy are bestowed at younger ages than are Nobels for achievements in disciplines nearer the bottom of the hierarchy. Although the correlation would be reduced in absolute magnitude, the correlation was not reported in the article anyway. The only change is that the slope of the appropriate line in Figure 1 is less steep than there depicted.
p. 9: Table 2 has a formatting error; the last two columns should be labeled "First weekend" and "Gross" instead of the unified and meaningless "First weekend Gross."
pp. 13-15: Tables 2-4 all have the same formatting error: The screenplay characteristics of origins (true story, biopic), predecessors (sequel, remake), and genre (drama, comedy, romance, musical) should not be subordinate to writer-director (i.e., should not be indented relative to the latter). Instead, these three attributes are each equal in analytical status to adaptations, writer-director, runtime, and MPAA rating.
"Overview," third paragraph, third sentence: should read "quadratic formula" rather than the obviously incorrect "binomial theorem."
p. 163, first paragraph, 2nd column: "deceased" should be "deceased."
p. 167, last paragraph, 4th sentence: "specifying" should be "specify."
p. 137: Table 2: The career peak for Dickens is at age 41 (this number was in the manuscript sent to the printer, so how it got deleted escapes me, but it's my error not to have caught the omission in the proofs).
p. 156: Table 4: The correlation between Nonfiction and Oscars should have three asterisks instead of two asterisks and an eight; and "MPPS" should be "MPAA."
p. 38, Table 2, last line before Note: hc32/Rc2should be hc32/Rc2
347. Simonton, D. K. (2009a). Applying the psychology of science to the science of psychology: Can psychologists use psychological science to enhance psychology as a science? Perspectives on Psychological Science, 4, 2-4.
p. 2, 3rd sentence of introduction: More accurately, there are 54 divisions even though they are numbered to 56. Division 4 and 11 merged with other divisions, and the numbers have been retired (because lower numbers indicate higher status). Obama is not the 44th president but he is the 44th President.
p. 3, first sentence of first complete paragraph should end "a phenomenon worthy of psychological research" - how the last word got omitted and the omission survived unnoticed by anyone remains one of life's little mysteries!
p. 131, column 2, line 4: "the Film’s ..." should be "The film’s ..."
p. 12, this article was originally titled "Exceptional creativity and psychopathology: Contemporary takes on the mad-genius controversy" which was edited to the current title without my consent. If a more catchy title was needed, at least it should be more grammatical, such as "Are madness and genius peas in the same pod?" or "Are the mad and geniuses peas in the same pod?"
390. Damian, R. I., & Simonton, D. K. (2011). From past to future art: The creative impact of Picasso’s 1935 Minotauromachy on his 1937 Guernica. Psychology of Aesthetics, Creativity, and the Arts, 5, 360-369.
p. 361: The article misrepresents Robert W. Weisberg's actual position on the place of blindness in Picasso's creative process. For a more accurate representation, please see: Weisberg, R. W., & Hass, R. (2007). We are all partly right: Comment on Simonton. Creativity Research Journal, 19, 345-360.
394. Simonton, D. K. (2011c). Creativity and discovery as blind variation and selective retention: Multiple-variant definitions and blind-sighted integration. Psychology of Aesthetics, Creativity, and the Arts, 5, 222-228.
pp. 223-227: The coefficient of congruence (Tucker's phi) is not the correct measure of the blind-sighted continuum. Among other reasons, it cannot handle such cases as when no variant has a positive utility or when the expectations regress to zero. A far superior index is the mathematical expectation of the cross-product (with the stipulation that the probabilities for all k variants sum to unity). The details of this index, as well as the complications introduced by sequential selection, are the subject of another article in preparation (but see Footnote 4 in Simonton, 2012d).
p. 169, 2nd column, 1st complete paragraph: the quote "idea of the “blindness”
of trials in a trial-and-error movement as an important step beyond the
mistaken idea of random trials" should be "idea of the 'blindness' of trials
in a trial-and-error movement as an important step beyond the mistaken
random trials" (i.e. blindness should be in single quotes).
p. 34, 2nd complete paragraph, should read "Fortunately, the movie awards treated at length in the previous chapter give a clue" so that the verb agrees with the subject.
p. 110, 2nd paragraph: "Annie Hall (1974)" should be "Annie Hall (1977)" and placed after "One Flew Over the Cuckoo's Nest (1975)"
p. 143, last complete paragraph, last sentence: "Even when aging man" should be "Even when an aging man"
p. 160, last complete paragraph, last sentence: "Film Critics replaced by" should be "Film Critics was replaced by"
Unfortunately, I did not see the proofs before this article was published, so a number of errors crept into the final product.
p. 8, 2nd paragraph, sentence beginning "Combinations generated by step-by-step
algorithmic methods have the value v = 1, whereas those
generated by pure chance or yield v = 0" must omit the "or" between "chance" and "yield" (albeit pure chance is not the only combinatorial procedure where v = 0).
p. 8, 3rd paragraph, 1st sentence should begin "It should be apparent that if (1 - p), u, or (1 - v) equal zero, then c must equal zero" (i.e., the first and third factors must be inverted by subtracting from unity).
p. 13, 2nd complete paragraph, the sentence beginning "Even if a creator
happened to produce a highly useful combination, he or she would receive
no credit if the combination’s utility was not already known in
advance." The missing "not" is critical here.
422. Simonton, D. K. (2012h). Foresight, insight, oversight, and hindsight in scientific discovery: How sighted were Galileo's telescopic sightings? Psychology of Aesthetics, Creativity, and the Arts, 6, 243-254.
p. 245, Footnote 4: It should be noted that this sightedness metric provides a necessary but not sufficient measure. A necessary and sufficient measure requires the addition of a third parameter that gauges the extent to which the utility is already known (see Simonton, 2012b, 2012p, in press-e). As a result, the given metric overestimates set sightedness. One fascinating implication of this three-parameter measure is that a creative idea can indeed emerge in a set where S = 0, contrary to the "paradox" mentioned in the article. At the same time, a set where S = 1 cannot possibly contain a creative idea.
p. 248, 2nd full paragraph, 3rd sentence: "Lodovico" should be "Ludovico" as in Footnote 6.
pp. 249, 252: On January 12, 2013, Owen Gingerich informed me that the
movement of Neptune relative to the fixed stars would have been virtually
impossible to notice under the circumstances. Hence, the oversight is mine
rather than Galileo's.
p. 99, column 2, 1st paragraph, line 10: "as surprise approaches zero" should read "surprise approaches zero" (i.e., delete "as").
p. 103, Footnote 7: This should begin "I have not even mentioned a fifth
potential implication" (rather than fourth).
This little comment was originally designed as a "thought piece" in which I merely raised the issue of whether scientific genius has become obsolete in the natural sciences. In the original draft, the speculative nature was obvious. Yet the journal editors wanted something stronger, more forthright, more controversial. After several revisions, the end result achieved their goal, but much of the writing is not my own. The title was changed along with the summary as well. Worse still, the editors added something to the title without asking my permission. This unauthorized addition led many readers to believe that I was claiming that Albert Einstein was the last genius. Curiously, even when the publisher sent me the "final" reprint for distribution (subject to a few days embargo), it did not contain that insertion, so the two words must have been added at the last minute without my consent.
Therefore, to set the record straight, the following opening in the printed copy
After Einstein: Scientific genius is extinct.
Dean Keith Simonton fears that surprising originality in the natural sciences is a thing of the past, as vast teams finesse knowledge rather than create disciplines.
should be replaced with what actually I wrote in the last revision before I saw the galley:
Is scientific genius obsolete?
Dean Keith Simonton proposes that the phenomenon of genius has become irrelevant in understanding outstanding creativity in the modern natural sciences.
I complained about the change in the galley, saying that I would not be willing to defend the revised statement - but to no avail. Although I was temporarily relieved to see that the press release used my version rather than the editor's, the editor's version is what actually appeared in print, again with the "After Einstein" gratuitously inserted as the main title! An author apparently has only so much control when it comes to Nature comments. The resulting hybrid has provoked more controversy than any other publication associated with my name. Obviously that was the editorial design. Would they have committed this editorial transgression against Einstein himself?
In any event, the first draft can be found here.
Not surprisingly, it contains some minor errors. In particular, Einstein
published four revolutionary papers rather than three and the Olympic slogan
is most properly "faster, higher, stronger." But the main points are closer
to what I originally had in mind.
Last updated: April 1, 2013.